Publications

The first issue of Journal der Künste under the presidency of Manos Tsangaris and Anh-Linh Ngo focuses on artistic freedom. Texts by Lena Gorelik, Ralf Michaels, Carsten Wurm and others as well as a conversation with Kristóf Kelemen and Gergely Nagy from Hungary address the defence of artistic autonomy from various perspectives. Further contributions provide insights into the genesis of the current exhibitions and the work of the archive.

The Journal der Künste, issue 22, bids farewell to Jeanine Meerapfel and Kathrin Röggla, the Akademie’s former president and vice-president. It explores the possibility of utopias with Matěj Spurný, Eva von Redecker and Iris ter Schiphorst and the political shift to the right in Germany with Thomas Krüger, Christina Clemm and Holger Bergmann. The 2023 Kollwitz Prize recipient, Sandra Vásquez de la Horra, shows works from her oeuvre; and a Carte blanche designed by Wolfgang Tillmans is featured. The archive includes the stories behind a photomontage by István Szabó and newly acquired drawings by George Grosz, as well as insights into Jürgen Flimm’s director’s workshop.

The 21st issue with a new design focuses on questions of sustainability: with texts and photo series on “The Great Repair” by Anh-Linh Ngo, Zara Pfeifer and Mierle Laderman Ukeles, among others, and literary contributions by Ulrike Draesner and Cécile Wajsbrot. Also: conversations with Luc Tuymans and Gundula Schulze Eldowy, short essays by Anna Hetzer, Moshtari Hilal et. al. as well as news from the Archives.

Accompanying the current exhibition, the 20th issue focuses on the context of power, space, and violence. Other topics include exile, artistic freedom, the broadcasting crisis, and the role of the arts in the revolutionary process in Iran. With contributions by and with Regina Stephan, Monica Bonvicini, Joanna Piotrowska, Eszter Salamon, Philipp Krüpe , Mina Keshavarz, Tanasgol Sabbagh, Matthias Lilienthal, Meron Mendel, Senthuran Varatharajah, Dominic Graf, Gerhart Baum, Sibylle Hoimann and Annett Gröschner, among others.

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The new issue looks at the crisis of public broadcasting as an instrument of democracy, at how art deals with the societal challenges of artificial intelligence, and at the changing role of (art) criticism. Other focal points: the current archive exhibition “Spurensicherung,” photographs by Nan Goldin and Aleš Šteger on artistic freedom in Europe.

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Hans Scharoun is one of the most important German architects of the post-war period. This publication focuses on his free sketches and drawings that were not bound to concrete building projects and were created between 1909 and the end of the Second World War. Up to now, unevaluated sources support the classification of these visionary works, most of which are housed in the Architectural Archives of the Akademie der Künste.

In addition to an essay by Wilfried Wang on the question of land use, Stephan Suschke’s presentation of the new exhibition on Erich Wonder’s stage designs for Heiner Müller and poems by Meena Kandasamy, dialogues are at the centre of the 17th issue: Kathrin Röggla talks to writer Mohamed Mbougar Sarr about language and resistance, a roundtable discusses the legacy of Paul and Eslanda Robeson, Mark Gergis talks about cassette kiosks in Damascus and his collection of Syrian music in an interview. The focus is also on the opening of the Roger Willemsen Archive and a photo series by Ute Mahler and Werner Mahler. The Carte Blanche goes to JUNGE AKADEMIE fellow and visual artist Sasha Kurmaz.

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The book is the first to document in text and image all the well-known buildings designed by Hans Scharoun, including his early work in East Prussia. Photographs specially taken by Carsten Krohn, historical photographs and plans from the Hans-Scharoun-Archiv at the Akademie provide a new perspective on this expressive, organic architecture.

Prize winner of the DAM Architectural Book Award 2017

This sumptuous publication presents the first overview of all the collections and archives held by the Architectural Archive at the Akademie der Künste. After introductory articles by Jeanine Meerapfel, Werner Heegewaldt and Eva-Maria Barkhofen, the individual holdings, which go back to the eighteenth century, are comprehensively presented with biographies of their collectors and a wealth of illustrations.